Internet Users Turn Addicts Essays (946 words) -

Internet Users turn Addicts Matchmaker.com: Sign up now for a free trial. Date Smarter! Internet Users turn Addicts If you're an Internet user, you know who you are. They are among all of us in society, although many may choose to not acknowledge that they too, frequently use the Internet. As I sit here and look across the street, I see a man in front of his own computer; the screen glowing against the window behind him. He does not use his personal computer for work, he is a farmer. He has become what is known as an "Internet Junky". The addiction begins innocently. At the start, you are not even aware of the possibilities that may form from your excessive computer use. You begin to take an avid interest in e-mailing with your friends and family. Once the novelty of keeping in touch with your colleagues wears off, and researching starts to bore you, you may possibly expand your computer usage to chatting. Yes, chatting. It is something that is becoming more acceptable in our lives, but it is still looked down upon by many skeptics. Chatting through the Internet involves choosing an appropriate nickname for yourself (IE: Fisherman), and then finding a room where you feel compelled to spend time in. Once you've entered the room, other fellow chatters may say, "Hello...a/s/l (age/sex/location) please." And so begins the addiction. Once you become involved in meeting people online, it is difficult to break such a habit. You may even make a daily habit of it. People have been found to carry out exactly the same behavior, not only across the nation, but across the globe. In any one room, you may come across people from five different countries of the world. Granted, not everyone who stays online for hours on end, are enveloped in chatting, but it is more often then not, the cause for Internet Addiction Disorder (IAD). (Goldberg, MD) The prevalence of Internet Addiction Disorder has been increasing in number, hence a support group, among many, The Internet Addiction Support Group (IASG) has been developed. IAD, a "maladaptive" pattern for Internet use, is leading to impairment and/or distress caused by three (or more) of the following, at any time in a period of one year: "A) A need for markedly increased amounts of time on Internet to achieve satisfaction, B) Markedly diminished effect with continued use of the same amount of time on Internet.", C) Reduction in Internet use which has been prolonged. (Goldberg, MD) Symptoms of Internet Addiction Disorder include: "A) Psychomotor agitation, B) anxiety, C) obsessive thinking about what is happening on Internet, D) fantasies or dreams about Internet, E) voluntary or involuntary typing movements of the fingers." These symptoms begin to cause conflict in "social, occupational, or another important area of functioning." People who become addicted, use the Internet to relieve or avoid withdrawal symptoms, which are similar to those brought on by the halt of drug use. The disorder is recognized by the "persistent desire" or "unsuccessful efforts" to minimize the Internet use. (Goldberg, MD) On June 14, 1998, ABC news reported that an "Internet crazed" Cincinnati woman was arrested for neglecting her three young children. The woman reportedly spent 12 hours straight online, while her hungry kids were locked away in a room so she could be online without interruption. (Associated Press) The Internet is rapidly becoming an addictive source to a lot of its users. Use of the Internet include: students, housewives, and business professionals. Some of these users spend a minimum of thirty-eight hours per week on the "net"; hence, losing touch with reality and reeking havoc on their studies, family lives, and even their careers. Based on level of addiction, there are three groups of Internet addicts: A) the "I'm-not-addicted-users", B) the "I-only-use-it-when-I-have-to-users", and C) the "Internet Junkies." (netaddiction.com) The "I'm not addicted users" are those who try to convince themselves that they are not addicted to the Internet. This group includes college students who don't go online during the day to prove to fellow classmates that they can do without getting online; only, to stay up all night in a chat room. College students are not the only people who fit in this category though. In general, these users are addicts but portray themselves otherwise in the presence of people. The "I only use it when I have to users", are those who make convenient excuses to go online. And finally, the "Internet Junkies" are unlike the addicts in the previous two groups, these users neither sneak online nor make excuses to get online. They put their lives on hold while

Narcissus and Goldmund Herman Hesse essays

Narcissus and Goldmund Herman Hesse essays Throughout this book Hesse continuously explores the idea of the conflict individuals experience when searching for their true identity. Narcissus and Goldmund, two medieval men whose characters are metaphors for the underlying theme of mans individual search for self and the human experience. Narcissus is a monk firm in his religious and intellectual beliefs or so he thinks, and Goldmund a youth hungry for knowledge and life experience. Narcissus the intellect living a purely academic life yet when Goldmund becomes part of his life, finds himself fighting the emotional part of his psyche. Goldmund is the total opposite, an individual born to live life to its fullest yet fighting those desires due to parental influences. The two men are diametrically opposite, even their names are metaphoric Narcissus the embodiment of pure intellect and Goldmund whos names translates as Golden mouth which indicates a hunger for life and worldly experiences. The story of both individuals are metaphors of the ways and degree that one can lead a life. Narcissus has a hermetic existence in his ivory tower with his pure thought , reasoning and self sufficient loneliness for companions. He is closed off from life in the monastery the acetic who is totally unaware of lifes cycles. Goldmunds so called vagabond lifestyle rich in experience, free spirit and free choices. I feel here that it is important to Hesse that it be stressed that the extreme of any life style such as in this story is actually dangerous to the individual, and according to Hesse himself ( Comments from a conversation with Rudolf Koester) the development to become a personality with privilege to think, feel, and act independently is the primary responsibility of the individual. Extremes such as a complete withdrawal into a hermetically sealed ego is as dangerous as the individual who succumbs to the allure of conformi ...

Chewing and Sound Localization Research Paper Example | Topics and Well Written Essays - 1750 words

Chewing and Sound Localization - Research Paper Example Sound localization is the ability of a listener to identify the source or origin of a sound, in this paper we focus on the factors affecting sound localization, this study is performed to establishing whether chewing has an effect on sound localization. Chewing leads to head movements that may affect sound localization, according to previous studies undertaken head movements affect sound localization. This paper analysis response from ten participants whose sound localization errors were recorded while and while not chewing, data collected helped test the hypothesis whether chewing affected localization. The following is an analysis of research undertaken by scholars in the past and the results of the study. Many studies have been undertaken in the past regarding sound localization, however majority of this studies have been undertaken with immobilized heads and very few have been undertaken while respondents were chewing. A study by Wallach (1939) showed that head movements affected sound localization, in his study participants were allowed to rotate their head, tip their head and even pivoting. Results show that head movements affected sound localization by participants. However it was also evident that the sound moved with the head. Mangles and Runge (1967) sound localization study results showed that Monaural is as good as binaural when movements were allowed, participants were a... Hypothesis and prediction The hypothesis that was tested is whether chewing have any effect on ability to detect the direction of sound, the null hypothesis is that chewing has no effect on sound localization and the alternative hypothesis is that chewing increased the mean error score for localization. We test this hypothesis by performing a T test that will compare the two means from the two tests, we expect that we will reject the null hypothesis that the two means are equal and accept the alternative hypothesis that states that the two means are not equal. Null hypothesis: a = b where a is the mean error score for localization for test one and two are equal and alternative hypothesis a b or a Methods: In order to test our hypothesis a sample of ten individuals was randomly selected. The sample was further subdivided into two groups which included those would first chew and data collected and then data recorded with the absence of chewing. For the other group data was to be collected without chewing and then data would be collected while chewing. The experiment was carried out using MAT LB computer software, participants sat in front of a computer and given headphones, they were then asked to locate the source of sound 180 degrees in front. The condition was that the participants would chew and then stop chewing and then they were allowed five minutes where they would continue with the second condition which is no chewing and then chew. For each of these two conditions

Frozen yorgurt Essay Example | Topics and Well Written Essays - 250 words

Frozen yorgurt - Essay Example It otherwise suffers from its flexibility, excess calories and loses its freshness very fast. Red Mango is the best to control, but it has limited the number of flavors. It is awesome when used as a supplement. As a result, it is somewhat costly. There is Baskin Robbins that contains thirty-one flavors, is readily affordable and is consumable at home in cakes. The blow to this category is its self-inefficiency and does not create such a welcoming atmosphere (Ahmed, Haroun and Eisa). Another competitor is the yogurt land that is not artificial, but is affordable. It contains moderate fats and has a taste of its kind. Reasons, why one would prefer frozen yogurt to the others, include its affordability ad lovely feel. It brings fewer health risks thus suitable for the growing youngsters. Considering that it’s painless, it provides an opportunity to couple with other staff including chocolate, candy, granola and fruits. Other benefits include the cooling effect it has during the summer, the awesome savor. Some advantages are personal like creating a beautiful moment when catching up with colleagues and creating an opportunity to spend time with

Logistics Transportation Cost Analysis Outline Example | Topics and Well Written Essays - 1250 words

Logistics Transportation Cost Analysis - Outline Example The successful completion of the proposed study is expected to come with several significant advantages. Whereas some of these benefit the field of logistics literature, others will be useful for professional logistics practice. As far as literature is concerned, it is expected that the study will fill most gaps that exist in the academia about logistics transportation cost analysis. By so doing, ongoing and future researchers would have very strong conceptual basis on which they will establish their own research. Very often, conducting research with limited resources for conceptual framework makes the research lack credibility because the researchers have to rely on personal intuition and reasoning instead of fact backed evidence. But where there are gaps in literature, researchers have very limited options than choosing such unproductive means. By concluding this study therefore, most gaps relating to the relationship between transportation cost and transportation tools, as well as the importance of scientific design transport network shall be put in context. From a more practical context, this study shall be conducted through the use of primary data collection, which means that there will be realistic interventions about how existing issues of logistics cost can be addressed within organisations. Waters (2003) lamented of the high degree of cost associated with logistics transportation, which makes companies fail on realising the real advantages that should come with SCM.

Knowledge Of Nursing Watsons Theory Of Human Caring Nursing Essay

Knowledge Of Nursing Watsons Theory Of Human Caring Nursing Essay The improvements in health care system have placed a burden on the nurses workload and responsibilities. Along with this burden, nurses have often disregarded their caring attitude when faced with taxing situations. Jean Watson, famous for her Theory of Human Caring, wants the nurses to learn to cope with the complexities arising in every circumstance and to find ways of preserving their caring practice. The aims of this paper are the following: to utilize the synthesized literature regarding Jean Watsons theory in order to evaluate its relevance to my personal experience. To utilize the theory to guide client-centered care and provide its implications to my future nursing practice. Literature Review Jean Watson views caring as the most valuable attribute nursing has to offer to humanity, yet caring has received less emphasis than other aspects of nursing over time (Watson, 2006). She believes that the disease might be cured but illness would still remain because without caring, health is not fully attained (Watson, 2006). Caring is the essence of nursing and it connotes responsiveness between the nurse and the patient (Watson, 2006). The ten carative factors, transpersonal caring relationship and the caring occasion constitute the elements of the Theory of Human Caring (Watson, 2006). In a study done by Ryan (2005) states that the nurses who were involved in her research have all agreed that they adopted and enact the caring theory in their everyday practice despite the obstacles that envelops them. The common theme found in the articles and was also emphasized in the theory are the use of effective communication and the nurses caring moments spent with the patients (Watson, 200 6). Watson defined caring moments contact between patient and the nurse and the impact of the nurse to the patient that can produce a threatening or secure environment (Watson, 2006). Clarke (2009) also believes that these moments transform both the patient and nurse and binds them together. However, Hau (2004) opposed this by stating that the quality time spent in practicing holistic care is often unnecessary and unappreciated by other patients. She further stated that accurate nursing assessments, competent technical skills and abundance of medical resources are the main factors that facilitate the patients speedy treatment and discharge (Hau, 2004). However, Christiaens, Abegglen Rowley (2008) believes that it is a fact that a number of physical symptoms rooted from mental/emotional/spiritual problems and improvements in quality of life are gained from it is through an effective holistic, client-focused caring that will improve their quality of life. To further confirm this beli ef, a comprehensive meta-analysis of 130 studies done conducted by Kristine Swanson (1999) reported that patients who received an effective holistic care have improved emotional-spiritual well being, decrease hospital costs, and an increase in trust relationships as opposed to those who did not receive quality holistic care who experienced decreased healing, vulnerability and lingering bad memories. Critical Analysis Based on the literature gathered, Sharon, the nurse who was a part of my personal experience demonstrated an exceptional application of Jean Watsons theory in her practice. According to Watson, health cannot be fully attained without caring and my experience was an example of an excellent holistic care in combination with competent technical nursing skills. Sharon attended to my post-operative state by providing me her presence and prompt responses to my non-verbal cues. Sharons caring impact made a huge difference to my emotional well being which resulted to an overall positive impression during my hospital stay. I felt empowered despite my non-verbal condition because I knew my concerns were being responded to and I felt secured while I was under her care. Watson believes that the theory of caring is an endorsement of professional nursing identity and what Sharon demonstrated throughout my care is what embodies the nursing profession. The theory could be used not only by nurses tha t are working in a hospital setting but also in places faced with oppression, natural disasters, poverty and injustice. Watsons theory emphasizes the humanistic aspects of nursing in combination with scientific knowledge, so it can be also applied in research by finding ways on how to deliver nursing care efficiently and in means that is acceptable to the patient. It guides the nurse to go beyond the application of technical nursing skills and show more concern towards the subjective and deeper meaning of the patient towards his/her health situation. Integration of the theory in my future nursing practice will assist in managing my priorities in order to spend uninterrupted time with my patients and pay attention to their fears or concerns regarding their care. It will aid in removing my biases and accepting the patient as unique individual regardless of their physical appearance, socioeconomic status, emotional needs or level of compliance. Lastly, it will remind me that every pati ent needs my unconditional support, positivity and encouragement to facilitate a faster recovery of not only the physical aspect of their stay but also the emotional/spiritual as it is a factor that will improve their quality of life. Conclusion The Theory of Human Caring can give language to what was before just thoughts and ideas regarding nursing. It guides nurses so that they can see, learn and express their own unique role in health care. Moreover, this theory shall bring the nurses to a realization that we need to transcend ourselves from a state that views nursing not as a job, but as a gratifying profession-a life-giving, life-receiving career for a lifetime of growth and learning.

Comparing Saint Augustine and Charles Taylors Ideas of Authenticity Es

Comparing Saint Augustine and Charles Taylor's Ideas of Authenticity The notion of authenticity is one of self-fulfillment and Charles Taylor recognizes that there are dangers in accepting modernity’s drive toward self-realization. However, he is not willing to give up on this idea of â€Å"authenticity.† In The Ethics of Authenticity, Taylor lays out a system of thought and morals that connect our search for self-realization with our desire towards self-creation. He is attempting to keep a form of individualism while still operating under objectivism. He will point out the good and damaging aspects of the modern development of an authentic self and mention the importance of some moral measurement system. Taylor claims that St. Augustine initiated a concept of inwardness, a turning towards the inner self to find truth and the idea of authenticity is simply a further development of Augustine’s inwardness. In this paper I will discuss in detail Taylor’s idea of authenticity: the pros and cons. I will lay out some of his arguments as to why he thinks this idea originated with Augustine. I will talk about Augustine’s view on the inner man and how this is connected with knowledge and memory. I will then talk about some of Augustine’s views. Freedom is also an important aspect to moral conduct so I will explore both Taylor’s and Augustine’s view of freedom. Finally, I will argue that the ideal of authenticity (although it contains some truth) is not an ideal that Augustine would promote. Three Modern Worries Taylor begins the book by discussing three worries of modern society. The first is individualism which is selfish and self-centered. The modern concept is bothersome because people see freedom as loosening the chains of traditional notions of hierarchy. We have become a society where we are breaking away from â€Å"older moral horizons.† Everything in creation is connected in some way and when there is a loose hierarchy there follows a loose meaning of life. The â€Å"dark side of individualism† the focuses on the self in such a way that it flattens and narrows the framework which give significance and meaning to human life. The second trouble is the dominant attention given to instrumental reason. Instrumental reason values efficiency above all other goods. Nothing else is considered sacred or has intrinsic value, only extrinsic value. The question is how usef... ...y for us humans. I think it is, but only to the extent that we open ourselves to God, which means in fact, overstepping the limits set in theory by exclusive humanisms. Taylor’s idea of authenticity does give way to many warnings. It is analogous to walking a tight rope. If one leans too much to one side (which in all reality may not be much at all) it can lead to disaster. He adopts a lot from the Romantics and the focus is too much on the individual. Although he does try to get away from too much emphasis on the individual by mentioning the â€Å"horizons of significance† he still does not give us an idea of what this hierarchy consists. People may look inside themselves to formulate this hierarchy but this again can lead to subjectivism. It seems to suggest that there could be a variety of heirachies and who is to say that one is better than the other. Also the ambiguity of his idea of freedom only leads to more ambiguity on his idea of authenticity. These are all problems that Taylor must address if one is to get a clearer concept of his project. If Saint Augustine were to read Taylor I think he would find these worries and suggest that Taylor’s central focus should be on God.

Why Fat People are Funny In Hollywood

The quote listed in the title comes from 2009 box-office hit The Hangover. The events that incite Mr. Chow (played by Ken Jeong) to say laughing â€Å"it's funny because he's fat† feature Alan Garner (played by Zach Galifianakis) charging at Mr. Chow, who is stomping on Alan's satchel, and exclaiming â€Å"Hey! There are skittles in there! † (Hangover 76:55; 76:45). In return Alan is punched in the stomach by one of Mr. Chow's henchmen, causing Mr. Chow to laugh hysterically and simultaneously slip â€Å"it's funny because he's fat† out of his mouth (Hangover 76:55).Clearly in the scene, the overweight character, Zach Galifianakis, is the butt of the joke as he is punched very hard in the stomach and then laughed at for his stupidity and weight. In modern movie making, overweight comedians have had a critical role in humor in films. Stars such as John Black, Seth Rogen, and Zach Galifianakis are modern examples of such characters, but in the last thirty years, ma ny other large comedians have developed and popularized similar roles in films.The overweight funny man in film has evolved into a more personal, relatable character due largely in part to their accurate reflection of the United States obesity problem. These characters have also created their own genre, a genre that has evolved out of slapstick comedy, yet remains in the realm of realism. This genre, which often involves immature and physical pain, yet remains plausible and not fake (like earlier slapstick humor), continues to bring new fans to the cinema and create greater love for this group of comedians.This paper will explain funny fat people's emergence, humor, and popularity in American cinema. Evolution of Slapstick Comedy in Films When was the first comedy film? John Montgomery suggests it â€Å"may well have been Fred Off's Sneeze, filmed in 1894 by William K. L. Dickson. The film was produced for Thomas Edison's Kinetoscope Company in the ‘Black Maria' Kinetographic Theatre which Dickson built for Edison in West Orange, New Jersey† (Montgomery 17). This film was released just three years after Edison's invention of the Kinetoscope in 1891.It is not a coincidence that a comedic piece of film was released soon after the production of the moving picture, but it simply suggests the necessity of comedic entertainment in American culture. From the early days of film, comedy became a staple on American cinema. In the early twentieth century, films were silent and featured many comedies. The initial type of comedy featured was slapstick comedy, which â€Å"was a gift to America from France† (Durgnat 67). The term slapstick evolved from â€Å"the double paddles formerly used by circus clowns to beat each other.The loud crack of the two paddle blades as they crashed together could always be depended upon to produce laughter and applause† (Dale 1). Slapstick is a type of comedy involving exaggerated physical violence and activities wh ich exceed the boundaries of common sense. The first American slapstick comedy producer was Mack Sennett, who with the help of actor/producer Charlie Chaplin, created many hilarious films loved by the American people (Durgnat 70). In these films, there was no audio component, requiring all humor to be dependent on physical actions (Montgomery 18).Raymond Durgnat states that â€Å"in early Chaplin, Dough and Dynamite (1915), the human body is all but reduced to an apparatus for punching, kicking, ducking and dodging† (Durgnat 69). Chaplin has been considered the â€Å"master clown† and in 1916, Chester Conklin, an actor and comedian, stated â€Å"without a doubt the one person who has been most successful in making people laugh is Charlie Chaplin† (Montgomery 108). Chaplin and others continued to produce silent slapstick comedy films through the Roaring Twenties, a time when film became increasingly popular and very successful.In 1926, Warner Brothers introduced the first film with audio attached. Because of the imperfections of the initial product and smaller budgets in the 1930s due to the Great Depression, films with an audio component remained imperfect, allowing silent films to retain their popularity and stay popular and not outdated. Following Chaplin and the others of the first generation of slapstick comedy was the Three Stooges: Larry Fine (born Louis Fienberg), Moe Howard (born Moses Horwitz), and Curly Howard (born Jerome Horwitz) (Matlin 163). This trio continued to produce popular short films and a few feature films until the late 1950s.The Three Stooges were the last true slapstick comedians, where Leonard Matlin argues that the use of â€Å"clever scripting and direction places the physical burden on others but still gives the Stooges elbowroom in which to clown† (Matlin 168). The Three Stooges were some of the last slapstick films, which essentially died out as many other forms of comedy emerged onto the film scene. One of these styles of humor Louise Dobson describes in a 2006 edition of Psychology Today as ‘hate-me humor', a style in which â€Å"you are the butt of the joke for the amusement of others† (Dobson 76).She continues stating this character is often the â€Å"familiar clown† or â€Å"fat guy† and includes examples like John Belushi and Chris Farley (Dobson 76). Dobson directly identifies the â€Å"fat guy† as an example of such comedy because of how popular these comedians have become. From this article it is evident that funny fat people are essential to American comedy, so much so that the author is able to classify them as the ‘fat guy' and American readers are able to identify with popular overweight comedians. Although there appears to be a reasonable argument that this comedy genre  falls into ‘hate-me-humor', I would suggest that these comedians exist as an of slapstick comedy.The laughs these characters receive come from the sa me qualities the original slapstick comedians, like Charlie Chaplin, shared. Raymond Durgnat describes this stating â€Å"Slapstick comedians are childlike, and in consequence act out the impulses which as adults we suppress† (Durgnat 72). If you replace Durgnat's word ‘slapstick' with overweight, the sentence would read: overweight comedians are childlike, and in consequence act out the impulses which as adults we suppress.Looking at many overweight comedians we see that this very well could be the case. The characters impulsive and childish actions are very common in their films (many examples to follow in next section) and generate laughs similar to those of traditional slapstick humor. In recent years, no director has released a true slapstick comedy film. The genre has been avoided (except in children's cartoons) in movies perhaps because the producers believe that the modern American culture is too advanced for this immature, simplistic, outdated humor.In reality, current comedy has progressed into a new form of slapstick comedy, where the exaggerations have been toned down and the humor has become a little more realistic. Looking through the last four decades we can see countless examples of films featuring this realistic slapstick humor. These characters tend to be lovable, goofy, wild and consistently overweight. Modernization of Slapstick Comedy: Realistic Physical Humor. In order to analyze the continuation of slapstick humor in American cinema, a look at the period immediately following the Three Stooges (the last true slapstick productions) is essential.In 1963, the release of the first Pink Panther film, starring Peter Sellers marked a new era for slapstick comedy. The Pink Panther series stretched nearly two decades with Sellers as the star, relied on slapstick humor, yet remained plausible. Most scenes from the Pink Panther movies are absurd and over the top in every manner, yet the events of the plot could be realistic, creating a new breed of slapstick comedy. At the end of the Pink Panther's dominance, National Lampoon released Animal House in 1978, starring several actors including John Belushi.Following the release of the film, Belushi evolved as the work’s centerpiece providing countless hysterical events. In the movie, John ‘Bluto' Blutarsky (played by John Belushi) appeared in about a dozen scenes, yet is the most memorable character of the film through his ridiculous actions. In the movie he rarely speaks, and acts very childish, both parallel pieces of the earliest slapstick comedians. Belushi has a handful of memorable quotes and scenes, most of which are truly ridiculous, yet believable.He has several immature one line quotes including: â€Å"Toga! Toga! †, â€Å"Blow-job!†, â€Å"Holy Shit! Holy Shit! Holy Shit! †, and â€Å"Food Fight! † (Animal House 44:00; 63:55; 30:25; 35:37). All of these quotes fit perfectly into the description of â€Å"childlike a nd in consequence act out the impulses which as adults we suppress† that the classic slapstick comedians possessed (Durgnat 72). Bluto continues to act wildly doing many things including falling off of a ladder trying to peep in a sorority window, crushing a beer can on his head, smashing a guitar someone else is trying to play, and chugging an entire bottle of Jack Daniel's and smashing it on a car.All of these actions are absurd and exaggerations of what any human might do in a similar scenario, yet all are possibly plausible. A last scene from Animal House that demonstrates the evolution of slapstick comedy begins with Bluto (Belushi) going through the lunch line where he stacks a ridiculous amount of food on his tray and in his pockets. While doing this he also stuffs enormous amounts of the food in his mouth, including a hamburger in one bite. He then proceeds to sit down at a table filled with some clean cut preppy students.There he is ridiculed for his eating habits and called a â€Å"P. I. G. pig† (Animal House 34:35). In response to being classified as a pig, he attempts to be a zit, stuffing his mouth with mashed potatoes and spraying everybody at the table by mashing his cheeks with his hands as seen in the following picture (Animal House 34:55): The focus of the scene is the unrealistic quantity and grossly unhealthy quality of food Belushi eats as well as the animalistic, childish manner in which he feasts.Following the incident he proceeds to be chased around the cafeteria, ultimately ending in a brawl and food fight. The sequence of events in this scene all are extremely humorous, yet very childish and exaggerated beyond what any viewer would expect from a twenty year old man. However, all of the actions in the scene are perfectly capable of being true, making this portion of the film extremely humorous in its realistic slapstick fashion. Nearly a decade later, in 1987, Planes, Trains, and Automobiles featured John Candy, another ov erweight comedian.In this film, the progression of slapstick comedy continues paralleling Belushi's contributions to the genre. Candy acts extremely childish and wildly, yet his actions remain plausible, exhibiting similar humor to that of John Belushi. In Planes, Trains, and Automobiles Candy's humor can fully be grasped in a scene on a commercial plane flight. On the plane, co-star Steve Martin has just been downgraded from first class to coach seating, and finds his seat next to John Candy. It quickly becomes clear that Candy fills up way too much of the seat, creating an uncomfortable situation.To make things worse Candy proceeds to take off his shoes in order to help relax, clearly releasing a disgusting odor observed by others in seats around him. He continues his gross movements by taking off his socks and spinning them around to air them out. When doing so, his dirty sock is very close to Steve Martin's face, and based on the expression on Martin's character it is clear that the sock smells wretched. This act is unbelievable, childish, and ridiculous, all similar characteristics of slapstick comedy.Later in Planes, Trains, and Automobiles, John Candy continues to provide humor through another similar evolution of slapstick comedy, where he accidentally spills several beers on the bed in which he (who barely fits on the bed alone because of his enormous frame) and a complete stranger share. The move is very careless and results in an incredibly uncomfortable situation that makes the audience laugh hysterically because of the continuation of unfortunate events all linked to Candy's childish careless actions.A last scene from this film takes place in a rental car, after the duo (Martin and Candy) have managed to run into every problem possible on a trip to Chicago to get home for Thanksgiving. In the car, Candy attempts to get comfortable by tampering with the seat position. He uses the buttons on the side of the seat, jerking the seat around for a few mi nutes, failing to find a satisfactory position. Although Martin has persistently told him to stop and that he will break the seat, he continues on until ultimately he breaks the seat, making it uncomfortable and unmovable.Following the seat incident, he continues his path of destruction. After smoking a cigarette, he drops the butt out the window. However due to the wind, it blows into the back seat of the car ultimately sending the back seat up in flames and roasting the entire car. In this quick scene, Candy manages to act immaturely and rambunctiously resulting in the destruction of the car. The remains of slapstick comedy are clearly evident in this scene, climaxing with the unreasonable fate of the rental car.The absurdity of someone so overweight that he breaks a seat and the reality of seeing a car explode in flames seem like a moment from a slapstick cartoon, yet the film is completely plausible due to the overweight and clumsy nature of Candy. Following John Candy's death i n the early 1990s, Chris Farley emerged as the next overweight star, both on television and in a few Hollywood films. His humor was similar to that of John Candy and also very comparable to the works of John Belushi.In an article praising the life of Chris Farley following his death in Rolling Stone magazine, the author states â€Å"we talked about his hero and Saturday Night Live predecessor, John Belushi. It was well known that Farley had been obsessed with Belushi, and people loved making much of this fact, since the two seemed to share a love of certain rather common excesses† (Hedegaard 39). Looking at Tommy Boy, produced in 1995, John Belushi's influence on Chris Farley becomes apparent through Farley's role and performance in the film.In Tommy Boy, Chris Farley stars as the protagonist, an immature and dimwitted heir to an auto parts factory who must save the business to keep it from take-over and away from evil relatives. Throughout the film, Farley's childish actions bring laughs to audiences of all ages. To begin the film, Tommy (Chris Farley) is shown in a flashback as a young school boy rushing to class, late as always. In this scene he runs full speed into a glass sliding door, shouting â€Å"Holy Schnike! † (Tommy Boy 0:44). The film then skips several years and shows an older Tommy, in his seventh year of college.Although the older character is much larger (Chris Farley was very large), he mirrors the young middle school version of Tommy because he is pictured doing the same action: rushing to class (late again). In this scene, he is scene trying to take a short cut through some hedges, but runs full speed into a newly put up fence, hitting his head very hard and exclaiming â€Å"Holy Schnike! † again (Tommy Boy 2:02). From these scenes which mesh together, we can clearly see the immaturity of the character, yet the viewer gets many laughs through the physical pain Farley endures.These actions take place in the first minute of the film, and really set the tone for the rest of the movie. In the film, Tommy is seen acting very foolishly on many accounts: he consistently runs into sliding glass doors, he gets hit in the head with a two-by-four piece of construction wood, he hits his head on a forklift after not listening to his father say heads up, he slips and gets covered in cow manure when trying to go cow tipping, and he rips his friends blue blazer because he is too big for it. Consistently, Tommy releases very childish comments, and he is largely responsible for destroying his friend’s beloved car.In the film, the actions Farley takes mirror concepts that defined slapstick comedy. His childish and extreme actions are all very similar to this genre of comedy. Farley extends this comedy to make it more personal and relatable as the protagonist becomes more developed. His actions are all very extreme and in many incidents would cause physical pain. Although painful or ridiculous, all actions tha t take place in the movie could take place in real-life, making the audience relate to the comedy. In one scene in particular, Tommy pushes the realm of reasonable office behavior.In an attempt to sell auto products for his company, he acts out an anecdote with his customer's nice model cars. In his story he gives two examples of how a similar scene could play out with two different brakes. In the first action, the car has on Callahan Brake Pads (his company’s) and is able to stop in front of a obstacle that is suddenly in front of the car (a lighter also on the desk). While showing this action he has a complete narrative stating â€Å"You're drivin' along, la-de-da, woo. All of a sudden there's a truck tire in the middle of the road. And you hit the brakes. EEEEEEEEE!Whoa, that was close† (Tommy Boy 35:30). He then proceeds stating â€Å"Now let's see what happens when you're driving with the â€Å"other guy's†[does quotation marks with fingers] brake pads. Yo u're drivin' along, you're drivin' along, the kids start shouting from the back seat, ‘I gotta go to the bathroom, Daddy! ‘ ‘Not now, damn it! ‘ Truck tire. EEEEEEEE! I CAN'T STOP! † (Tommy Boy 35:45). He then rams the model car into the lighter smashing the car of the customer. Farley then gets really into the story acting out voices of a narrator, the kids, the parents, and eventually the paramedics who respond to the scene.In the scene, some of his quotes include â€Å"No! I can't feel my legs †¦ Here comes the meat wagon †¦ And the medic gets out and says, ‘Oh my God. ‘†¦ New guy's around the corner puking his guts out† (Tommy Boy 36:05). He also finishes the crash by setting the crushed car on fire with the lighter and calmly collects himself making his point casually stating â€Å"All because you want to save a couple extra pennies† (Tommy Boy 36:20). This scene is a clear example of Farley taking over a sc ene that could have easily been executed much more peacefully, maturely, and professionally.But the director and Chris Farley decided to execute the scene wildly and immaturely so that viewers see the scene in awe as they cannot believe how overdone he makes the episode. The film is full of scenes like this one, which leave the audience in shock at how a human could act in such a manner. They key to the humor brought about in the film is much like that of Belushi and Candy, it remains believable: although unlikely, all actions in the film could possibly occur in a person's life. Through looking at these three overweight comedians we see the progression of the same genre of comedy.The slapstick comedy that first featured Charlie Chaplin and other silent film comedians progressed into slapstick comedy with audio, like the Three Stooges. Following the Three Stooges, the horseplay that was extreme and in many ways violent and not possible for a person to survive, died out. In return, se veral years later comedians like Belushi rediscovered the art of making a career out of horseplay in every film or television show in which they appeared. Following the mold Belushi made, many other actors have morphed their careers into similar roles.Through the years the importance of the overweight comedian has grown dramatically. In 1978, John Belushi was a minor character in Animal House. Although his few scenes (around a dozen) are the most memorable from the film, his role contained very few lines and he was never intended to be the star of the film. Looking forward nearly a decade later, John Candy in Planes, Trains, and Automobiles promoted his role to the supporting actor, though not the protagonist of the film.In this film, we learn much more about the character (a back story, his emotions, etc.) than we did of Belushi in Animal House. Belushi's character, Bluto, has apparently been in college for several years and the odds of him graduating appear slim. Other than this, we have no other information on the character. For Candy's character, Del, we find out much more about his life as a shower ring salesman as he appears in nearly every scene and is a much better developed character. Finally looking at Tommy Boy, released almost two-decades after Belushi, the American audience sees the fat wild character as the protagonist of the work.Chris Farley's character, Tommy, is the clear protagonist of the film (the film is even titled after the character's name). Farley's character has a well developed character, as the viewer is well informed of the character's entire family and Tommy's flaws and strengths. Why Overweight? Following in the footsteps of the unrealistic, unsurvivable slapstick comedy to the more plausible realistic feature films, the role of the fat comedian progressed to the center of the film. Perhaps the movement towards realism reflects American’s recognition of their own overweight society.The United States is the world's most ob ese country. In an attempt to explain this epidemic, Greg Critser published Fat Land: How Americans became the fattest people in the world. This work highlights new research that claims cheap fats and sugars as the source which causes our calories to stick and shows why children are too often the chief metabolic culprits of such foods. He clearly claims that we (Americans) have been telling ourselves lies about how much we can eat and how little we can exercise.He attempts to expose the nutritional value (or lack thereof) in schools as well as political and cultural forces that have caused American’s fitness to continue to decrease (Critser 23). Critser debunks all eating patterns and even diet books in an attempt to explain why they do not work and only supplement the obesity problem in the United States. Although a slightly humorous book, Critser's message is very serious; the lack of a balanced nutritional diet (which he provides to the best of his understanding) and reduc ed exercise has set a death trap for many people in America, leading to an obesity problem.Hollywood has capitalized on the acceptability of overweight people, and has used and continues to use actors bearing this unhealthy lifestyle in order to provide entertainment (usually humorous) to the United States (Critser 25). The comedians explored in the previous pages share one common obvious trait, their weight. John Belushi, John Candy, and Chris Farley were all obese. The reason why they were overweight will never be fully understood, whether it was genetics, poor eating, lack of exercise, pressures of society, or bad habits. The fact is that all these men were huge, and remained large until their respective deaths.Not only were all of these men overweight, they were also well loved. In a People Magazine article following the death of John Candy, the author concludes â€Å"in the end, of course, no one can say for certain whether diet and self-denial would have prolonged Candy's lif e a single day. Only one thing is sure: Already Candy is missed† (Harmes 97). Similarly in a Canadian magazine an author begins â€Å"While all of us feel as though we've lost someone we knew personally,† showing another example of the attachment fans had with such comedians (Candy in both of these instances) (The Untimely Passing 9).Like Candy, Chris Farley had his fair share of praises in a Rolling Stone Magazine stating â€Å"almost everyone loved Farley, and it was a genuine love, not a Hollywood love† (Hedegaard 40). Through these accounts praising the lives of such overweight comedians, it becomes clear that the actors really connected with their audience and gained a sincere affection from their fans. The love they generated came through both the laughs they consistently provided America as well as their big loving appearance.Perhaps people connected with the characters because they thought their enormous build made them more resilient and therefore they c ould endure the slapstick comedy they provided. Maybe the reason they were admired was because their large appearance was not the typical Hollywood ‘Barbie'-like figure that so many stars posses, but a reflection of how America really looks: overweight. Or, perhaps their size made them more human because they embodied the flaws in all of us. By the simple act of laughing at and with them, the audience is put at ease and feels better about their own shortcomings.In any case, the success of these comedians came through their realistic appearance on stage. The people and actions in these films could occur in everyday American lives. The men were not living a sophisticated lifestyle and did not have special skills; they portrayed an overweight male (which is common in the United States) and shined in immature and physical humor evolving the slapstick genre that has been a staple of American comedy films since their beginning a century ago.

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